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June 12, 2013

 

Slow, slow, quick, quick.
No, this is not a sound track from a 70’s porn flick.
This week I decided to be a little more light-hearted and write about an affair I have had for 25 years.
It is with both men and women, children and a few select farm anima…..I am only joking!
The implication is that I have been fortunate enough to meet all kinds of interesting people along the way doing one of the things I do best. I have made many friends and it has been a source of income and enjoyment for me.
OK I am talking about ballroom dance!
When I was in my early twenties I was starting to become more ‘normal’  I was definitely a late bloomer.
I was shy, never had a girlfriend (until I was 24) and inept around women.
All that changed when I went for an interview to become a ballroom dance teacher.
I have always been rhythmical and somewhat coordinated so I thought ‘why not’?
I was pulled around the floor by the owner of the dance studio and was told I could start training the next day. That was my entry into the fantasy world of ballroom dancing.
In the UK and Europe ballroom dancing is very cultural. The UK has been the epicenter of the business for many decades producing multiple world champions and world renowned coaches.
For me I was and still am an oddity in the business being 6ft5ins and ranging anywhere from 215lbs to 440lbs over the years. I never competed professionally but did have success with various students in the pro-am divisions (professional with amateur) where I would beat teachers who were younger, slimmer and fitter than myself. I have always said that if ballroom dancing had weight classes I would reign as the world heavyweight champion!
I love teaching and ballroom dance offers me the opportunity to espouse my wisdom and stroke my ego.
It has always been a source of pride for me.
Ballroom dancing encompasses many different styles of dance where you are partnered with someone else. The man generally leads and the lady follows. Each is a skill unto itself. There are differences depending on where you live. In Europe they mainly dance a style referred to as International or English style.
In the USA it is called American style. Both are very similar having the same basic fundamentals but ‘How’ you dance them is different.
The dances that you can expect are Rumba, Cha-Cha, Samba, Merengue, Mambo, Salsa, all kinds of swing, bolero, Paso Doble, Tango, Waltz, Viennese Waltz, Foxtrot, Quickstep.
Of course there are many others but these tend to be the important ones.
For those who are willing to take the plunge and dive in, ballroom dancing can be rewarding, challenging, frustrating, addicting and can lead to increased confidence and lots of fun!
It has been for me, one of the top three greatest things that I have done. I have travelled, met great people, become popular with the opposite sex and earned a little coin along the way.
-TDB.

As far back as I can remember music has played an essential role in my life. My father was in a band since he was a teenager, and my formative years coincided almost perfectly with the birth and development of the glory days of MTV. In kindergarten, I (most likely my parents) was even reprimanded for shouting “non stop rock& roll” in the middle of class. Growing up I listened to all kinds of music, but for me musically my first love was hip hop. While this was not the typical at the time for a white kid in the middle of New Hampshire, I remember walking around the school yard for hours with my best friend Bobby (the only other kid into hip hop in my school at the time) just talking about rappers, and beats, east versus west, the rise of south, trading tapes, and constantly making mixes, which was much more difficult in those days. Around the same time a friend of ours got a drum machine, and I remember being amazed by the fact that a whole drum kit could fit into this tiny box, not to mention the whole world of sounds that it made. I got to play with it a few times, but shortly after this point I moved across the country to Albuquerque, and was forced to push thoughts of magical buttons and beats out of my head.
Looking back on the years that followed, while they were at times very fun, and nothing short of entertaining, I always felt like there was something missing. Around nine years ago I identified the issue, and applied for a music production program, only to realize that not only could I not afford the program, and then to convince myself that pursuing a more conventional/safe option would be a better idea, so I pursued a degree in history, because it sounded interesting, I wanted to make a difference, and it seemed like a better idea than attempting to survive and help to support my son on making music. Several years and the better part of two degrees later, and I was immeasurably thankful for all I have learned, but I still felt like there was something missing. Around the time I began planning to move to Denver I slowly began building a small collection of random instruments of various sort, and taking time to teach myself anything I could find in my little spare time. I watched youtube incessantly, soaking up knowledge, always thirsty for more, finally purchased my own drum machine, and spent hours trying to learn its mysterious ways. Having only been able to purchase a used MPC 500, I developed a love hate relationship with it. On the one hand I love what it could do , and what it represented, on the other I felt that it could be so much better. Finally the hours of dial swirling finally caught up to me one day when I stumbled into a music store and found myself entranced with the Maschine by Native Instruments. A combination hardware and software which would replace my hours of incessant twirling into a simple drag and drop, I was immediately hooked.
Over the next two years I experiment with everything I could find, layering sounds, studying theory, vibrations, wavelengths,drum patterns, barely scratching the surface of an endless sonic universe. While the act of creation is (at least for me, right now)very much a solitary activity, music is made to be heard, and so I put my music on the internet for other to listen to, and largely download for free. Never expecting anything in return, so much of our culture now is defined by this similar understanding, centered around communal principles that oddly enough have internalized the reality that sharing is a good thing, despite the decades of subjection to a primitive, every person for themselves mentality that this society has thrust upon them. 
For me live music is about connection, about losing myself in the moment, becoming one with a group of strangers, and dancing like my life depended on it. Similarly the act of musical creation hinges on expression, establishing sonic connections, and on moving past corporeal surroundings and exploring the seemingly infinite multiverse of sound , space, and time . In less than a month I will have a chance to blend these two universes for the first time, translating the countless hours and sleepless nights into a thirty minute set in front of friends, strangers and loved one. Endlessly thankful for every opportunity that has moved me closer to this exact point in time, I am even more grateful for the support of friends and family on this journey of self discovery. Although I still have an unquenchable thirst for knowledge, with every hour I devote to making music, the feeling that something is missing from my life subsides.
-Joshua Genius

V
One of the first things that I do every day is listen to music, and it sets the tone.  Sometimes I wake up with a certain tune in my head, my three year old has a request (MJ or Bob Marley usually), or I search for something new to vibe with.  Lately, I have been playing records from my Dad’s vinyl collection on his original Kenwood turntables from the mid-seventies.  My most cherished album from the collection is Uprising, Bob Marley & The Wailers.  I was so shocked when I found that record in my Dad’s old collection because I had no clue that he was a Bob Marley fan—it is my most prized possession.  I have little attachment to material things—but if I had to get one thing…it would be my vinyl I’d save.  In previous articles I have discussed my father’s significance, etc., but I will disclose some history for me to express the meaning for this music.  My father passed away when I was young, I did not receive any of his personal belongings, and in 2008 I inherited his record collection.  He was a DJ, worked with electronics, and he loved music throughout his life.  My memories of him are associated with music and learning how to dance.  In a sense, I feel a connection with him lives through the music.
Growing up, I was exposed to music that was explicit, rich in content, or history.  I love the blues, jazz, and my favorite genre I have to say is Hip Hop.  When I was about seven or eight years old, my older cousins and I would put on Sunday afternoon choreographed dance shows for our entire family after practicing on the second floor of our Grandmother’s house.  Most of the music I was listening to at the time was either Rap or Hip Hop.  There is a difference—that is a whole different article.  Regardless, my early training in tap, jazz, ballet, and lyrical dance was reinforced and I enjoyed moving to the way I felt.  Plus, the popularity of Hip Hop & Rap music was a movement itself in the early nineties.  For my ninth birthday my brother gifted me a Warren G tape to go with the boom box my Mom gave me.  She had no idea of the explicit lyrics in that tape, for whatever reason.  From then on me and my brother subscribed to artists like: Cypress Hill, Snoop Dogg (Lion), Dr. Dre— and the list proceeds.  Fast forward a couple of years and he bought me the 1998 Outkast Aquemini CD in the 7th grade.  I think I had that same CD in my music player for over three years, and I still jam that joint on the regular.  The next birthday he gave me Vol. 2…Hard knock Life album of Jay-Z’s.  I went through a real Rap phase at the age of thirteen.  Fourteen came along, a freshman in high school, I was passed an Atmosphere CD in class from my best friend Amanda like it was crack.  Underground Hip Hop became my sanctuary and no one could say shit to me—the lyrics defended me & deflected meaning from others.  My paradigm flipped, and the mentality of sheep has been irrelevant ever since.  I had ammo; I learned the art of freestyle, battling, and just straight saying out loud what I wanted to—to music.  The most profound outlet and my favorite art I have to say has to do with words.  It’s not poetry, songwriting, or stories—it is flowing, you could call it ‘rapping’, or Hip Hop.  KRS One said, “Rap is what you do, Hip Hop is how we live!”  I got through life easier because I had something to relate to—something to soothe the pain in a different way. 
The very next year I was a sophomore with a bad attitude.  I remember watching a Bob Marley documentary on VH1 two nights in a row, and for weeks I had dreams about him.  These dreams were almost real to me…I can still ‘go there’ in my memories and feelings—it is slightly eerie—but something transformed me.  I was listening to Bob Marley & The Wailers all the time, and before long my room looked like the Bob museum in Jamaica.  My spirit is uplifted by listening to this music, and I feel.  “Who feels it knows it” is one of the lyrics that have affirmed my beliefs as they have been transformed in the past twelve years; especially attributed to reggae music.  If it weren’t for this music, I would not identify with life the way that I do.   
Today, I introduce these concepts to my son.  He may be three, but he was able to dance very well before he could ever take a step.  Music has always soothed him when nothing else could—I put the headphones on my belly often when I was pregnant—so maybe that has something to do with it (may just be my psychology background shining through).  Either theoretical approach you orient yourself with, music speaks a language to the soul that cannot be translated by our words—I cannot describe that feeling.  All I can say is that I agree with Bob in that: When it hits you, you feel no pain.

-Sunny

ninja, pirate, robot, ninja pirate robot 2013, 2013,ninja pirate robot

I feel weak a lot of times. Especially when this world is killing me with its nine to five mind set on clocking in until we clock out for the count. I’m not sure how we got here, but I want to find how to get out. The closest I’ve found is living by the Tao of Poe. That’s P.O.E. Passion Over Everything.

The spirit rebelling against the mental prison we’re all living in. So concerned with the politics of our social circles and trying to buy forgive me nows. Not for the sake of our souls but to stay in the fickle grace of what others think of us.

The people I know, who make a living off their art or passion have all told me the same thing. They let go of their fear. Their fear of failure, their fear of success, and just went for it. When you put your passion over everything, it becomes your power. Its favors your will and will kidnap your destiny and hold it for randsom in exchange for your loyalty and hard work.

Aside from being a means to get where we want, its also a weapon against the materialistic culture the media has built today. The phrasing itself came from the response I felt needed to be said in the face of M.O.B; Money over bitches and M.O.E; Money Over Everything. The hunger of financial success and degridation of women to the all greedy doll-her, is glorified over radio waves pouring through our speakers and drowning our compassion for each other in the name of money being the new water. So precious we can't live without it.

Using something as passionate as music to feed our hearts this message until they swell up withing that lack of substance. We will without a doubt, leave our spirit malnourished. Feeding our bank accounts and egos at the cost of everything that has made humanity great in the first place. The need and want to elevate the living conditions of everyone because we're all in this together.

You divide to conquer. That's rule number 1. If we're ever going to get out of this rat race. Killing ourselves in the streets. Stop eating the fear the news so desperately wants us to eat. Pull each other up without feeling like there won't be enough for all of us. Take our power back instead of leaving it in the hands of people who have become so disassociated from the rest of the country, that they continue to ruin everything generations of great men and women have sacrificed just to give us the chance to fight for a future where we can truly live like free men. To get anywhere close to overcoming any of this, we have to put our Passion Over Everything.

Let it consume us from the inside out. Be that change we're so desperate to see in our streets. Live the life we always wanted, it isn't like we can financially afford it, but we can't afford not to live this life with all of the fore we're hoarding inside, waiting to burn all of our fears down. Scorch our disbelief into ashes to litter the wind with so anyone breathing in close enough will have the destruction in their lungs. Feeding their blood the hunger that sleeps in all of us. Its time to wake up. Stop sleep walking through life. Death or fate won't wait for the stars to fall place. We need to move while the heart still banging against our skeletons to keep them from jumping out of our skin decorating our coffins. We need to Edgar Allen Poe our lives and let the madness consume what the world thinks is sane, or safe. Time to live for a living and put your Passion Over Everything.

-DCR

CLW: Tell me a little about yourself?

NP:    My name is New Profession, I grew up in Colorado and am making music to change people’s lives.

 

CLW: How long have you been making music?
NP:  I have been taking  hip hop seriously for almost a year and a half now but I have been playing music since I was 7.  
 
CLW: What are the origins of you name?
NP:Profession means an occupation or career that requires considerable training and specialized study. It is also defined as a whole body of person’s engaged in a calling. That would be my audience.  And then the word “New” not only means my new occupation but also a new revolutionary type of music that not only brings people together but also teaches people how to brighten their future.
 
CLW: What projects are you working on right now?
NP: I am about to put out an album in a week, June 18th  along with 2 other music videos very soon! I am also working on an EP and some more tracks specifically for live shows.
 
CLW: What is your favorite song from those projects ? Why?
Np: My favorite song from this upcoming album isn’t the hit singles or the catchy tracks but the last track on the album. It is called “Impact” and is very different. I am hoping to connect with people on a deeper level with this track and this track was also produced by a producer by the name of Joshua Genius!



CLW: Where you derive you inspiration from?
NP: I have many inspirations including many artists ranging from the movements created by Big L, Jay Z, Tupac, to the newer music that is changing the music industry as a whole such as Macklemore, Kanye West, Mac Miller, Tyler the Creator, Hopsin, etc. The list could go on and on, but what I see is a whole new revolution of artists that are changing the way this industry works and I definitely am inspired and want to be apart of that.  But I am not held down by a specific genre and am open to any type of music. A lot of inspiration comes from older music from the 1960’s and 70’s because I feel like that was the most creative time for music.



CLW: What was the first piece of music you ever remember buying? What was the format (tape, cd, vinyl, mp3)?
NP: I believe the first piece of music I ever bought was the 50 cent album “Get Rich or Die Trying.” I probably listened to that CD 1000 times. Not only did I like his music back then but I like it even more now and what really fascinates and inspires me now is the business side of 50 Cent. 


CLW:  Any shows coming up?
NP: Yes, I have two shows coming up. One at Cervantes Other Side Monday June 17th. I am putting that show together with an artist (uNiT)e. I believe this show along with all the other artists on this show are creating a movement for the Colorado hip hop scene. I also have a show at a small underground venue called the Sound Garden June 28th.
 
CLW: What would be your dream venue to perform in? Why?
NP: My dream venue to perform at would probably have to be at Red Rocks Amphitheater. I know there are probably some better venues out there that I want to play such as the House of Blues or even some larger Venus at festivals or sports stadiums but I have grown up around Red Rocks and am excited to play there in the future.
 
CLW: If you could perform with anyone musician dead or alive who would it be and why? NP:  I would perform with Biggie Smalls! I have seen many live shows on Youtube and would love to experience the energy he brings to the stage! Truly a legend in hip hop. And anyone I have ever met has never said one negative thing about that artist.  
 
CLW: Any advise for the aspiring lyricists/musicians out there?
NP: My best advice for anyone out there trying to make music for a living is hard work and persistence. Do something every day to better your music and make music that you want to make, not what the industry is making at that moment.   

The

NEW PROFESSION Interview

Passion over everything

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